Djata is a care-free 12-year-old growing up in the dystopian Homeland. When he finds out that his father Peter has been imprisoned by the authorities and he and his mother Hannah are labeled traitors, Djata vows he will not rest until he sees his father again.

当恐怖分子以目击暗杀的年轻女孩为目标时,一位英勇的出租车司机前来营救。我开始看这部电影BCOZ仍然很少有希望看到一部更好的电影,但这部电影有不必要的歌曲,不必要的喜剧,不必要的增加所有喜剧演员的天赋浪费,没有逻辑的扭曲。这可能是一部25-30分钟的故事短片。意味着2小时是对不必要的场景的折磨。我是一个好的故事和动作电影的大粉丝,但这部电影折磨着我从上到下,我确实看了结尾,跳过了大部分的场景,只是想知道我是否猜对了。是的,我是对的。如果你想安睡的话,不要打算看这个节目。哥皮陈的味道怎么了?

　　本片基于艾米·利普罗特所著回忆录，她和芬沙伊德改编剧本，讲述刚从康复中心出来的罗娜在离开十多年后，回到了苏格兰的奥克尼群岛，回到童年时的牧羊场，再度体会到了自然之美和静谧的珍贵。

　　Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’　　The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.

祖父去世后,一个处理悲伤的男孩的父亲把他送上一个旅程去了解死亡,同时把一年一度的鬼屋整理起来。