A group of friends take their recently sober friend, to the remote Hills to help him stay clean. But when eerie events unfold and people start disappearing, they must question whether it's the Boogeyman or their own unraveling minds.

这是第一部关于1949年苏联秘密警察（NKVD）将爱沙尼亚人强行驱逐至西伯利亚的电影。短短几天几夜内，近2.1万人——其中大多数是妇女和儿童——在高度保密的行动中被从家中带走，押送至火车站，关进牲畜车厢，踏上数千公里的旅程，被送往一个遥远、贫瘠、寒冷又充满敌意的地方，在那里他们大多被当作廉价（甚至是无偿）的劳动力使用。影片采用象征主义手法展现事件，主要角色分别象征圣经中的耶稣、撒旦和犹大。这种设定使影片在艺术表现上具有高度风格化，但也因此显得不够真实，节奏非常缓慢，观感较为吃力。尽管整体制作尚可，表演有时却过于戏剧化。可惜的是，这更像是一部中等水平的艺术片，而非一部值得推荐的历史题材电影。——彼得泽尔撰写

一个神秘的女人反复出现在一个家庭的前院，总是带来令人不安的警告或信息，让家庭成员不断猜测她的身份、动机以及她可能带来的潜在危险。她的出现总是伴随着一股莫名的紧张气氛，居民们在困惑与惊恐中试图揭开她背后的真相，同时也在考虑如何保护自己免受可能的威胁。随着她每次的到来，谜团愈加深邃，家庭成员不得不面对他们内心的恐惧和疑虑。

Rose and Sammy enjoy an idyllic life with love, a Hollywood Hills home, and a curious son. During a party, Sammy assigns unusual significance to it, while Rose juggles preparations amid distractions. The unexpected arrival of Helen, who claims residence there, oscillates between confusion and lucidity. Strangely, Helen possesses intimate knowledge of the house and its guests: a... (展开全部) 　　Rose and Sammy enjoy an idyllic life with love, a Hollywood Hills home, and a curious son. During a party, Sammy assigns unusual significance to it, while Rose juggles preparations amid distractions. The unexpected arrival of Helen, who claims residence there, oscillates between confusion and lucidity. Strangely, Helen possesses intimate knowledge of the house and its guests: an Ingenue, a director, and Rose's former flame. Helen's revelations during the party spark drama, unearthing hidden truths and compelling Rose to confront her past, future, and the desire for change.

Follows a young surfer as he has to deal with the grief of his father's death.