美国陆军战斗医疗人员詹娜·康纳利因心脏病发作被召回家中，帮助疏远的父亲。她发现这个曾经原始的牧场已经年久失修，当地警长与当地的牧场主牲畜有着邪恶的联系。詹娜现在发现自己面对她埋藏的情感过去，因为她的工资战争对腐败的政治力量。灵感来自加里·达辛格，一个迪金森，ND牧场主的真实事件，以及他2017年为拯救他的马而进行的斗争。

　　After new CIA recruit, Kelley Chandler (Polish) is seriously injured during a mission, surviving only on life support, his wife Tess (Agron), a former CIA operative, becomes determined to find out what happened to her husband. As the details of Kelley's last mission unravel, showing that his accident was an inside job, Tess puts everything on the line to keep Kelley out of harm's way, even if that comes with dangerous consequences.

Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).　　The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.

The movie chronicles the events of history's man of mystery, Rasputin. Although not quite historically accurate and little emphasis is put on the politics of the day, Rasputin's rise to power and eventual assassination are depicted in an attempt to explain his extraordinary power and influence.

托马斯体弱多病，靠人血为生。他的两个哥哥——德怀特和杰西在照料他时起了争执：为了让弟弟活下去，他们身后已尽是尸体，德怀特一直在这样的现实与代价中挣扎。后来，他结识了当地的性工作者帕姆，付钱和她聊天，渴望借此摆脱梦魇，重获新生。然而，当德怀特开始疏远自己的家人，杰西也将不惜一切代价让他回家。