Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).　　The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.

一群年轻人受到一个能与亡灵沟通的手机App的引导，来到一座废弃的古堡。在那裡，他们即将挖掘出隐藏在这座古堡背后的恐怖祕密……

Six young actresses auditioning for a movie role at a remote mansion are targeted by a mysterious masked murderer.

伊斯特回来了！她身上仍有些事不太对劲…… 　　在精心策划逃离爱沙尼亚的精神病院后，伊斯特（伊莎贝拉·弗尔曼 饰）假扮成一位来自富裕家庭失踪的女儿前往美国。然而事隔不久，触目惊心的事件接连发生，他们开始怀疑伊斯特是这些怪事的导火线……伊斯特骇人的神秘面纱即将被公诸于世。 　　2009年的口碑神片《孤儿怨》，以低预算的制作成本，在当年暑假档期缔造出轰动的票房。时隔13年拍摄正宗前传电影，由当初外型可爱却暗藏杀机的小女孩伊莎贝拉·弗尔曼回归主演，今年已经25岁的她，即将再度让观众惊呼连连。

讲述玛格丽特(豪尔)过着成功而有序的生活，完美地平衡了她繁忙的事业和作为单身母亲对极度独立的女儿艾比的照顾。直到大卫(罗斯)出现，她的过去开始困扰她，精心计划的生活发生了更黑暗的转变，玛格丽特不得不直面她逃避了20年的怪物，来终结他们之间的恩怨。