A group of friends must confront their fears in a terrifying game.

　　传说中，鹈鹕会啄破自己的胸膛，用鲜血滋养饥饿的幼鸟。身为驯马师的母亲领养了孤儿拉雅，谁料拉雅因从小心灵受到重创，无法像常人一样感知亲情，时而出现过激举动，让母亲和姐姐十分困扰。在自己和养女之间，母亲做出了无私的决定。来自女性导演的作品以悬疑、惊悚类型片的方式探索母性这一永恒的话题。

麦克必须穿越幽暗、惊恐的时空长廊，找出他的出身，他的敌人来自何处，然而这时麦克却被邪恶的”泰曼”抓住，被带到荒凉的死亡之谷，目睹并加入“最后审判”当中，瑞杰不顾一切想抢救麦克，但一路上却不断碰到狰狞恶魔，一再阻扰并追杀，幸好最后瑞杰仍然找到被困在这个死亡之岛的麦克，身旁有好友瑞杰及死去的弟弟导引，麦克终于找到了邪恶的死魔，准备迎接生与死之间因为复仇而产生的微妙界线，但邪恶的泰曼是否会放过？麦克还得面对更未知的缠斗……

To the outside world Joanne is just a book-store owner, but the Conspiracy knows different. She's dangerous. She's a bellwether a quiet leader who is well on her way to being her whole self. When they kidnap her to break her to make her conform, they discover that Joanne is something so much more than even she ever knew. Joanne is a feminist, one-room, one-character elevated genre thriller. It is a modern rite of passage story which most women have to go through to become a whole human being How does one be oneself in the face of massive misogyny and hatred (both overt and institutionalized). It is also the world's first one-person film (a movie with only one on-screen character) that features a woman.