Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

Alone in Space is a high concept adventurous, warm and funny genre feature film that doesn't shy away from big questions about life and death. Alone in Space takes the audience on a ride with two kids lost in space, accompanied by a friendly alien.

2013年，泰国大选进入到最紧张的阶段，自由党主席丹迪·雷发表了振奋人心的演说，他承诺当选后停建祸国殃民的核电站，由此得到选民的支持，成功击败人民党，当选新一届的泰国总理。然而政客的承诺从来都不值钱，随着丹迪·雷的践祚，仅仅三年泰国上空便被阴云笼罩，罪恶贪婪如病毒般肆意蔓延到每一个角落，曼谷成为臭名昭著的国际化犯罪之都。在社会道德沦丧到无以复加的地步，一个人们心底期盼已久的英雄横空出世。他就是红鹰侠（阿南达·艾华灵汉饰），游走于法律之外，身怀绝技，嫉恶如仇，对待罪大恶极的腐败分子绝不手软。与此同时，头号罪犯马杜里正率领手下进行一项罪不可赦的核武计划，红鹰侠的存在恰恰成为阻挡他计划实施的障碍。百姓和政府的矛盾愈加激烈，为民请愿的红鹰侠冲在最前面……

未来，地球环境变得愈来愈恶劣，人类纷纷踏上外太空移民的星际之路。一艘硕大的航天飞船遭遇空难毁灭，载着船长的逃生舱被另一艘飞船所营救。然而，逃生舱里只有被划定为非公民的夏娃·米勒中尉（玛丽娜·赛提斯 Marina Sirtis 饰），此时她呆呆傻傻，陷入混沌。船长命令部下提取她的记忆，从记忆中得知，已经怀孕的米勒中尉在灾难中和富兰克林船长、多默、汤姆森、李等共计五人登上了逃生舱。虽然米勒遭受其他人的歧视和羞辱，但她还是竭尽全力要寻找生还的希望。只不过最后舱里究竟发生了什么事？其他四人究竟去了哪里？ 　　米勒中尉的记忆中藏着可怕的未解之谜……

五个年轻人巴比、麦克、小桃、朱丽和玛格趁着假期开着小船出海游玩，却因为大意而被搁浅在海上，屋漏偏逢连夜雨的他们又遇上暴风雨，在大雨倾盆的情况下，他们找到了一艘并没有人的豪华游艇，以为找到了桃花源，在里面饮酒作乐，没想到可怕的危险就隐藏在这座豪华游艇里。游艇好像是一个大的实验室，里面有奇奇怪怪的远古鱼类化石。巴比看到实验台上的白色粉末，尝了一下，以为是毒品。而后，玛格被会飞的鱼咬伤，他们才意识到问题的严重。麦克仔细研究了电脑里的资料，发现原来这些鱼都是吃了受污染的浮游生物后发生了异变。可此时已经为时已晚，除了麦克其余四人都被感染。游艇即将爆炸，这些怪物也即将被消灭，只有麦克跳海逃出。谁知怪物并没有死，麦克也没有逃生。