The high-drama, rags-to-riches story of the controversial electronic cigarette company Juul which transformed from a scrappy Silicon Valley tech start-up run by two idealistic Stanford graduate students intent on making the world a better place into a multi-billion-dollar tobacco company that sparked an epidemic of youth addiction and lung disease.

　　Tornano a scuola i ragazzi di Marina Piccola insieme a nuove facce e forse anche nuovi amori. Pronti per questo rientro a scuola?!

茱茵、雅惠為一   苦情姊妹，自幼父母離異，雅惠稍長大為人所騙，捨棄幼小的茱茵而赴日本賣春。他日，雅惠回國後，奈何茱茵不願接受其姊妹幫忙，終日與混混男友馬魁為伍，雅惠不忍其妹自毀前程，便重金賄賂經紀人發掘茱茵並送至日本栽培而成明星。孰知茱茵回國參與首映典禮之日即遭昔日男友馬魁以破壞其形象為由加以恐嚇、勒索。雅惠得知後為維護茱茵形象而殺害馬魁，並買通張彪為其頂罪，事後張彪亦以此勒索、強暴雅惠，雅惠不甘其辱錯手殺死張彪，致使案情複雜，幸煒明冷靜分析而識破並逮捕雅惠歸案。

　　挑战面部神经极限的日本脱口秀生存节目再度开战！《爆笑悲剧王：笑着笑着就哭了》由实力坚强的日本当红搞笑双人组“千鸟”主演，佐久间宣行制作。多位喜剧演员参与脱口秀对战，脱颖而出的人可晋级到下一阶段，演出惊悚剧码。如果无脚本桥段的“笑”果不佳，就必须出局。谁的故事最逗趣，谁又能笑到最后？　　第 2 季场景移师大医院，剧情聚焦一个诡诈的神秘组织。

This long-lost masterpiece of hardcore gay erotic cinema centers on a handsome young stud who rides his motorcycle through myriad sexual encounters, from a soccer game’s locker room to a phantasmagoric and deeply melancholy orgy. A labyrinth of all-male fantasies whose outstanding beauties always end up fading away while leaving their sensual protagonist dealing with his own loneliness, EQUATION was directed with supreme grace by the mysterious Dietrich de Velsa (aka Francis Savel/Frantz Salieri). A former painter, de Velsa was also the owner and artistic director of La Grande Eugène, one of the first drag cabarets in Paris. Years later, he collaborated with Joseph Losey on MR. KLEIN (1976) and DON GIOVANNI (1979). His one and only film, EQUATION TO AN UNKNOWN stands as one of the most extraordinary erotic films of all time.                                                                    “The most melancholic porn film I’ve ever seen. It’s very sad, and aesthetically beautiful. Just a young man wandering through several depictions of love and choreographies of love-making; it’s like a ceremony, a ceremony of fantasies, especially the last sequence where the main character recalls all his previous fantasies, which come one by one around his bed and make love to him. I think it’s one of the most beautiful film sequences of French cinema.” –Yann Gonzalez