The year is 1989. In an era of Palestinian demands for independence, the State of Israel sends young soldiers to oversee the Arab population in the Occupied Territories. After one of them is killed, the common fate of four young soldiers and one Palestinian family is sealed. The film describes the extraordinary journey of a young soldier trying to find his place in the chaos surrounding him.

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法国1962年雅克·罗齐耶作品 　　一部被评论界捧上天的新浪潮杰作 　　结构主义符号学派电影批评的经典范例 　　法国结构主义符号学大师麦茨这样评论该片：“从《再见菲律宾》一片各种段落类型出现频率的多寡与否的概述过程中，我们可以重新确认在直观批评上所感受到的影片风格——一部典型的‘新电影’（形式的解放、对过度‘修辞’手法的反动、影片叙事呈现出‘简单化’、‘透明化’趋向等），以及存在于这类新电影之内，我们可以称之为“戈达尔／直接电影”的趋势（强调语言成分、场景的重要性、整体‘写实精神’和真正的新形态蒙太奇...

五个挑逗故事，带出五段令人血脉沸腾的爱欲情色。的士司机刚被拋弃满腔愁怨， 在陌生乘客怀内重获温暖；寂寞屋主电话故障，没有水电工，登门的冷不防是两个俊美维修男，透过性爱三人行接通天地线；四个好友打完篮球在更衣室豪情洗浴，含羞小子在一旁看得心猿意马，最后拋开压抑，索性「与众同乐」；大只外卖小子送 pizza 给苦闷白领，全身奉献慰解压抑心灵；性意高昂的护卫员以「身」作则，为小情侣化解争执，「性」在够和气。

In this unique take on the infamous Manson murders we follow two generations of chilling real life events which occur at 10050 Cielo Drive, one of America's most notorious addresses.