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  • 她典当最后的家当,一个金十字架,他震惊于她的美丽,多给点钱,她不肯要。美女与押店店主,一个珍视灵魂,一个贪求物质。错配的婚姻,开场已知结局:她用死亡换取自由。往后是押店店主第一人称故事,苦寻妻子自杀原因但徒劳,观众如堕迷雾,他自圆其说,画面故事益发绷紧。她的神秘,是布烈松的留白,观众的解读空间。导演爱把演员变“模特儿”,本次找来真模特儿杜明妮桑德,不因为她美,而是看中她的声线,但桑德的静,有澎湃感染力。布烈松第一部彩色,令温柔添残酷实感。
  • An insane man first loves then grows to hate his neighbor, an old man whose penetrating gaze unnerves the insane man. He plans a perfect crime and executes it one night. The next day, two officers knock on the insane man's door, investigating a shriek heard in the night. The insane man invites them in, answers their questions, and submits to an examination of his eyes by one of the officers, who proclaims him innocent. The insane man invites them to stay and relax awhile, then regales them with his theories of crime. His heart begins to beat louder. Angles on the set are skewed to suggest the man's internal disarray.
  • 60万粉丝和一个跟踪者:在这个来自波兰的Instagram剧情片中,舞台化的生活与不加掩饰的现实发生了碰撞。Sylwia过着#thesweatlife的生活:作为一个充满自信的健身教练,她吸引了大批粉丝。这位Ins女王和她的爱犬Jackson一起,住在华沙一间宽敞的公寓,每天的生活就是自拍发帖发推广,健身瑜伽养生茶。但当她的一位粉丝想要从她那里得到网络之外的东西并跟踪她回家时,Sylwia的完美生活开始解体。
  •   记者威利(弗雷德里克·马奇 Fredric March 饰)正在经历他职场生涯中最大的危机,如果不能出现一个契机令他力挽狂澜,那么他就将一蹶不振。就在这个节骨眼上,一个名叫哈泽尔(卡洛·朗白 Carole Lombard 饰)的女孩出现在了威利的视野里,这个女孩受到了严重的核辐射,时日无多。威利决定利用她剩下的最后的日子带她进城见见世面,顺便再以此为题材写几篇催人泪下的新闻出来。  哪知道哈泽尔实际上并没有受到核辐射,身体强壮的很呢。但是这个姑娘决定暂时隐瞒这一事实,先去纽约好好的玩一通再说。就这样,威利和哈泽尔踏上了他们充满了谎言和利益的旅途。
  •   前东德最好的一部超现实主义幻想剧!  this is one of the most amazing looking,surreal films of all time and i only recently acquired it on video.it was just as good after fond childhood memories of it.highly recommended,with great special effects,and stunning set design,and vivid colour and cinematography.buy with confidence!  This is as you remember watching it as a child. Lifelike, overtly coloured and full of magical splendor, terrifying nasties and surreal characters. In short, do not shy away from this opportunity to show a "Christmas Special" to your children in favour of the usual fare from Disney and co. Rather, pop a fresh batch of pop corn, get first dibs on the comfy chair and opt for what was arguably one of the highlights of East German children's programming.