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  • Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).  The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
  • 影片为黑色喜剧,男主为了向前妻证明自己的勇敢竟贸然抢劫了银行。警察开始调查犯罪案件却遗漏了这个看上去非常斯文又正派的幕后黑手。一场诙谐又紧张的猫鼠游戏正在上演。
  •   this is a damiano damini so youll expect a certian level of social realism and it does not disappoint. its a damming film about the stranglwhold of the mafia in palermo where this is set. See it,you wont be disapponited,but you will not feel better about life. This is not fantasy godfather stuff but the real hopeless raw variety. In a funny way its a hym to humanity. Palermo looks really awful and down at heel. wonderful score out of 10 a nine.
  • Former Colonel Fernandez is appointed Minister of the National Anti-Drug Agency (SENAD) and purges the special forces to fight the first of many battles against drug trafficking on the border of Paraguay and Argentina.