For Gaby, not much has changed since last summer. For everybody else, apparently everything is different. The 13-year-old is back on the island where her dad lives, and everyone keeps giving her the strangest looks. Even Fourmi, her best friend, keeps brushing her off. When one of the boys starts singing an ode to Gaby’s “hills”, it’s the final straw. Tongue firmly in cheek, Zo... (展开全部) 　　For Gaby, not much has changed since last summer. For everybody else, apparently everything is different. The 13-year-old is back on the island where her dad lives, and everyone keeps giving her the strangest looks. Even Fourmi, her best friend, keeps brushing her off. When one of the boys starts singing an ode to Gaby’s “hills”, it’s the final straw. Tongue firmly in cheek, Zoé Pelchat sends her titular heroine into battle to disarm the male gaze.

继 2019 年广受好评的纪录片《浪漫喜剧》之后，电影制片人伊丽莎白·桑基 (Elizabeth Sankey) 将注意力转向另一种女性特别感兴趣的电影描绘类型：女巫。电影、电视和文化史上如何描述和表现女巫？这种表征是如何变化和演变的？最重要的是，表面之下到底发生了什么？

一位基因科学家成功地克隆了第一个人类，一个名叫伊丽莎白的女婴，但是他的工作很快就受到了一个黑暗秘密的威胁，这个秘密威胁着他的一切和对他珍贵的每一个人。

Cecilia and Emma were tween-age BFFs who were going to grow old together and never let anything come between them, until Alex arrived on the scene. Twelve years later, Cecilia is a successful social media influencer living the dream of an independent, modern millennial woman... until she runs into Emma for the first time in over a decade. Emma invites Cecilia away on her bachel...

Léo,acontemporaryartist,wantstoreconnectwithélise,hisformercompanionbutVincentVanGogh,whoreturnedtoourtime,fellinlovewithher.Anover-realisticlovetriangleemergesandartisticissuesappearinthebackground.